Wednesday, February 10, 2010

The Black Rock: The Untold Story of the Black Experience on Alcatraz

The Black Rock: The Untold Story of the Black Experience on Alcatraz

DATE:
Friday February 12

TIME:
8:00 PM-10:00 PM

Location Details:
Artists' Television Access
992 Valencia Street
San Francisco, CA 94110

Event Type:
Screening


The Black Rock: The Untold Story of the Black Experience on Alcatraz

Friday, February 12, 2010, 8:00 pm, $6
Dir. Kevin Epps in person

The Black Rock aka Black Alcatraz chronicles the role ofAfrican-Americans in the history of Alcatraz, the first super-maximumsecurity prison. The film identifies and examines the lives of a fewAfrican-American prisoners who were important figures in the history of“The Rock” from the 1930s to the 1960s. Some people believe that allcriminals are treated equally, and many are deceived by the notion thatall individuals receive equal treatment under the law. The Black Rockaka Black Alcatraz highlights the truth about the perseverance,sufferings, and resilience of African-Americans who experiencedAlcatraz during this time of racial prejudice and discrimination.Interviews with historians, archival footage, as well as photographsand re-enactments are used to present an entirely new perspective onthe most feared prison of its time. Dir. Kevin Epps (US 2009, 60m)

About the Director:

Kevin Epps documentary “Straight Outta Hunter’s Point” (2002) won bothlocal and national acclaim, establishing Epps as a leader in digital,independent film and new media. Epps’ other work, Rap Dreams (2006)about the struggles of upcoming rappers, received recognition as well.His most recent works, ranging from topics of gun violence to blackfatherhood, can be seen nationwide on Current TV, a network founded byAl Gore. Epps is the founder of Mastamind Productions as well as amember of Digital Media Advisory Council, and works with many communityorganizations including Conscious Youth Media, BAVC, the Hunters PointYouth Park. He is a frequent speaker on many panels and forums ondigital filmmaking and new media. http://www.blackalcatraz.com


TRAILER:


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Thank you Author John C. Hammerback for his generous donation to the ROMC Library!

Thank you John C. Hammerback for your donation of the publication "The Rhetorical Career of César Chávez" to the ROMC Library & Archive! A bookplate was created in your honor of your donation.


About John C. Hammerback:
John C. Hammerback is head of the department of communication at North Carolina State University in Raleigh and past president of the Western States Communication Association.Richard J. Jensen lives in Albuquerque, New Mexico. Hammerback and Jensen separately and together have written some fifty scholarly articles and chapters and have collaborated on two other communication and rhetoric books.


The Rhetorical Career of César Chávez
by John C. Hammerback & Richard J. Jensen
Synopsis:
Cesar Chavez urged the farm laborers of America to say "Yes, we can!" An indefatigable speaker, writer, and non-discursive communicator, Chavez developed a well-thought-out approach to his rhetorical discourse and placed his speaking and writing at the very center of his career. By merging thought and character in his themes, arguments, and explanations, he identified with the character of his listeners. Award-winning scholars John C. Hammerback and Richard J. Jensen offer a thorough examination of how Chavez developed his speeches and writings to further his agenda for union activism. They analyze his world view, the rhetorical approaches he took, and many of his own texts, showing that although born into one of the least powerful segments of American society, Chavez led the farm-labor movement to unprecedented heights.


For more information about donating to the library, please visit:
http://www.romclibrary.org/romc_donate.html




Bookplates are created in honor of of donators.

The Rhetorical Career of César Chávez
by John C. Hammerback & Richard J. Jensen

Thursday, February 4, 2010

Bay Area Indian Calendar-Jan 20,2010

Bay Area Indian Calendar - January 20, 2010

Thanks to American Indian Contemporary Arts for the calendar. More detailed calendar info on these and other events is linked to the Bay Native Circle page at kpfa.org.

http://ical.mac.com/WebObjects/iCal.woa/wa/default?u=janeenantoine&n=BAIC%20Calendar.ics

To have events included in the calendar send TEXT info to janeenantoine@mac.com or post on http://groups.google.com/group/bay-area-native-american-indian-network.

Bay Native Circle airs on kpfa 94.1 Wednesdays from 2 – 3 p.m. Hosts rotate weekly with
1) Lakota Harden
2) Janeen Antoine
3) Morningstar Gali or Ras K’Dee
4) Gregg McVicar.

BNC is live at 94.1 -- and podcast, and online, everywhere, anytime at kpfa.org. It is archived for 2 weeks from original air date.

Thanks to our listeners for your support! UPCOMING Shingle Springs Tribal TANF Community Meeting invites community input and participation about the upcoming TANF program, including jobs, services and timeline.

Wednesday, January 20, 5:30 pm
SNAHC, 2020 J St. Sacramento.
FMI: 530.698-1433.

Arthur Manuel from the Olympic Resistance Network speaks against the Olympics on Native Land to rally supporters and educate the people on the issue of appropriated Native land and how to combat corporate privatization.

He speaks:
Wednesday Jan 20 at 7 pm,
Station 40, 3030 B 16th Street,
San Francisco.
Thursday, Jan 21 at 7 pm
East Conference Room, Memorial Union, UC Davis. $5-10 sliding scale, (no one turned away FMI: Cristina Fernandez, SeventhGenerationNation@yahoo.com, 831-320-8284.

Coast Miwok, Kashaya Pomo Basketmakers Julia and Lucy Parker present a Weaving Workshop Saturday, Jan 23, 10am – 4pm at NAS Studio, 1401 Hart Hall , UC Davis. Students prepare seasoned red willow to make a medium-sized gathering basket utilizing the weaving technique of twinning. Free but limited to 15 participants! To reserve your place email: cngorman@ucdavis.edu. La Cultura Cura Fundraiser benefit includes an art show.

Monday, December 14, 2009

Dedication and Unveiling of the Native American Mural "We Are Still Here"

The Native American Mural was commissioned by the Cesar Chavez Student Center Governing Board and was dedicated on November 20, 2009. The mural depicts community activism, self determination, resistance and survivance of Native American peoples.

The mural themes include:

* The connection between the SF State Strike of 1968-69 and the occupation of Alcatraz.
* Self-determination and political struggle
* Ohlone tribal nation and other nations indigenous to the Bay Area
* Intertribal council of male and female leadership
* Genocide and Holocaust
* Exploitation and destruction of the land
* Survivance

Speakers:
MCs: Dianna Baldwin, (Osage/Kaw/Cherokee) President, S.K.I.N.S
& Philip M. Klasky, Department of American Indian Studies (AIS)
Opening Blessing by Ann Marie Sayers (Ohlone)
Dr. Kenneth Monteiro, Dean of the College of Ethnic Studies
Dr. Jake Perea, Dean of the College of Education
Dr. Melissa Nelson (Anishinaabe/Métis [Turtle Mountain Chippewa])(AIS)
Dr. Andrew Jolivette (Creole/Opelousa/Atakapa)(AIS)
Dr. Elizabeth Parent (Athabascan)
Aimée Zenzele Barnes, Richard Oakes Multi-Cultural Center
Jackie Mendez, Chair, Native American Mural Committee
Mike Preston (Winnemum Wintu)
Frank Kellum (Choctaw/Chickasaw)
Hector Heredia (Apache/Dine’/Yaqui)
April McGill (Yuki/Wappo/Wailaki/Little Lake)(AIS/S.K.I.N.S)
Michele Maas (Anishinaabe)(Native American Health Center)
Mural Artists, Marc Nicely and Larry Sillaway (Yurok)

Cultural Presentations:
Dr. John Carlos Perea (Mescalero Apache)(AIS)
Kanyon Sayers Roods (Ohlone)
Pomo Dancers
Eddie Madril (Pascua Yaqui)

Special Guests:
The Richard Oakes Family

Primary Artist: Marc Nicely in collaboration with Larry Sillaway


check out SFSU [x]press' article on the Native American Mural Dedication:
http://xpress.sfsu.edu/archives/news/014070.html

check out a multimedia on the Native American Mural Unveiled here:
http://xpress.sfsu.edu/specials/2009f/MURAL/soundslides01/

check out American Indian Dances at the Mural Unveiling on [x]press' website under "[x]press multimedia":
http://xpress.sfsu.edu/


PICTURES FROM THE MURAL DEDICATION COMING SOON!!!


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Thursday, November 12, 2009

New Books and Magazines at the ROMC Resource Library & Archive!!!

Here are some of the Books and Magazines that have arrived at the ROMC Library!

for more information, check out our facebook:

Magazines: News from Native California Vol. 22 No.4, Summer 2009
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Vol. 23 No.1, Fall 2009
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http://www.heydaybooks.com/news/


Books:

The Future of Indiegenous Peoples

Strategies for Survival and Development
Edited by Duane Champagne & Ismael Abu-Saad
0-935626-58-1
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This collection of articles is the outcome of an international gathering of scholars to discuss the future of indigenous peoples throughout the world. The contributors examine contemporary conditions of indigenous peoples, explore future possibilities for social, economic, and political survival and development, and offer strategies for shaping future nation-state relations with indigenous peoples. Particular attention is given to the nation-state structure that preempted land rights and autonomous cultural, social, economic, and political development in the Americas, the Middle East, and China.

Native American and Nixon
Presidential Politics and Minority Self-Determination 1969-1972
Jack D. Forbes
0-935626-06-9
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A study of how the Nixon administration dealt with Indian demands.

Tuesday, October 6, 2009

College of Ethnic Studies turns 40

The College of Ethnic Studies here at SF State is turning 40 this year, and is celebrating with a fabulous conference.

We are participating by hosting a Twitter event.


By TwitterIcon.com

Follow the updates about the conference by following the Twitter account

@EthnicStudies40.

Please join in, and use #COES40 in your Tweet.

Thursday, September 10, 2009

More books and films have arrived at the library!

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Here are more books and films that have recently arrived at the library!  

American Indian Policy In the Twentieth Century  
Edited by Vine Deloria, Jr. A paperback reprint of the important collection of essays on federal Indian policy originally published (cloth) in 1985 by the U. of Oklahoma Press.

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Everything You Know about Indians is Wrong  
Paul Chaat Smith  

A highly entertaining and, at times, searing critique of the deeply disputed role of American Indians in the United States. Smith walks a tightrope between comforting and dangerous, offering unrepentant skepticism and, ultimately, empathy: “This book is called Everything You Know about Indians Is Wrong, but it’s a book title, folks, not to be taken literally. Of course I don’t mean everything, just most things. And ‘you’ really means we, as in all of us.”

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Tribes Treaties, & Constitutional Tribulations  
Vine Deloria Jr. & David Wilkins  

"Federal Indian law . . . is a loosely related collection of past and present acts of Congress, treaties and agreements, executive orders, administrative rulings, and judicial opinions, connected only by the fact that law in some form has been applied haphazardly to American Indians over the course of several centuries. . . . Indians in their tribal relation and Indian tribes in their relation to the federal government hang suspended in a legal wonderland." 

In this book, two prominent scholars of American Indian law and politics undertake a full historical examination of the relationship between Indians and the United States Constitution that explains the present state of confusion and inconsistent application in U.S. Indian law. The authors examine all sections of the Constitution that explicitly and implicitly apply to Indians and discuss how they have been interpreted and applied from the early republic up to the present. They convincingly argue that the Constitution does not provide any legal rights for American Indians and that the treaty-making process should govern relations between Indian nations and the federal government.

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The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle   T.V. Reed  

Imagine the civil rights movement without freedom songs and the politics of women's movements without poetry. Or, more difficult yet, imagine an America unaffected by the cultural expressions and forms of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that express and helped shape them, The Art of Protest shows the vital importance of these movements to American culture. In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice ("Will the revolution be cybercast?") of the twenty-first century, T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture. The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world. A comprehensive introduction to the culture of progressive movements in the United States. 

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Films:  

The Salt Song Trail  

The Salt Songs (Asi Huviav Purukain) are the sacred songs of the Southern Paiute (Nuwuvi) people. The songs are used in memorial ceremonies, for cultural revitalization and as a spriritual bond for the thirteen bands of Southern Paiutes living in California, Nevada, Utah and Arizona.  

Through the beautiful landscape of the Colorado Plateau, desrts and river valley, the salt song trail traces the journeys of ancestral peoples to historic and scared sites, and collection sites for salt and medicinal herbs. This film documents a historic gathering—a former Indian boarding school where Indian children were forcibly taken from their homes and forbiddent to practice their traditional cultures. Salt Song singers and dancers return to the school years later to sing for the children who never came home.  

This film is a collaboration between The Cultural Conservancy, a non-profit indigenous rights organization, and The Salt Song Trail Project of the Souther Paiute Nation.

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The ROMC Resource Library will officially open October 1st 2009.  
Come check out all of our new publications and films on multiculturalism. 
Please check back for updates on when our virtual library will be available.